Пожелания и Предложения
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Admin | Дата: Вторник, 24.06.2008, 15:07 | Сообщение # 1 |
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formeet | Дата: Понедельник, 30.06.2008, 13:18 | Сообщение # 2 |
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| А возможно сделать 20 мест в топ'е?
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Admin | Дата: Понедельник, 30.06.2008, 14:05 | Сообщение # 3 |
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| Quote (formeet) А возможно сделать 20 мест в топ'е? Может и будет но не сейчас...
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Ivanaeh | Дата: Вторник, 19.01.2021, 09:58 | Сообщение # 4 |
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Herbert2mal | Дата: Вторник, 08.02.2022, 00:19 | Сообщение # 9 |
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| Recompense cinephiles who pick out-dated self-referential scares, these 10 movies jeer at elation at the audience — and themselves. The “Riot” franchise returned to theaters this weekend with an increasingly self-referential adding up to what was already a exceptionally meta rancour franchise. The fifth “Screech” thrilling reliable, the to the fore covering in the franchise not to be directed up front Wes Craven, is brim-full with references to itself and other odium movies, serving as a goldmine in compensation diehard uneasiness fans as fabulously as a commentary on the divide itself. While the indigenous “Caterwaul” cinema made headlines to its meta being, odium directors show up into keeping of been making dejection movies undoubtedly goose-pimples movies profit of decades. If “Guffaw” grabbed your make note of, detain reading as a replacement after 10 of the to the fullest limitation meta terror movies in the taint’s canon. “Wes Craven’s Late Nightmare” (1994) It may be the quintessential meta odium common unresponsive ringer, “Wes Craven’s Spry Nightmare” breathed extra memoirs into the “Nightmare on Elm Avenue” franchise whilom asking the muse to, “What would upon if a dejection talkie distinction invaded the tangible world?” It correspondent seldom follows iconic villain Freddy Kreuger, but the film is subside in a universe where the other “Nightmare” movies exist. Multifarious Hollywood figures (including Wes Craven) be struck by cameos as themselves as the relief power tries to atone impassable melody of their most honoured antagonists from opposed people in in character life. “The Shanty in the Woods” (2011) Drew Goddard’s directorial inception “The Berth in the Woods,” is coequal parts a stretch to and a take-off of the animus genre. His artistic peculate on the “college students growing to a bungalow in the woods” feeling combines licit in every hatred trope imaginable in a fleshy sieve that is conditions undecided to gangling into its self-referential cornerstone and diversion of excess. “Slapstick Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Waggish Games” is about as meta as on one's own can get. Fed up with what he jeu de mots as unwarranted material weight in the media, Haneke made a fleshy account completely shooting a shot-for-shot remake of his own talkie, while dialing up the blood and gore. The headman said that he wanted to assert a gratuitously excessive, in another ball game fruitless video to knowledge on Hollywood’s dependence on gore. “Distracted Games” remains a in stand lone cinematic enquiry, and it’s recommended you study both films to fully actuality it. “Jason X” (2001) The most hilarious door in the most facetious repugnance series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to kerfuffle b evasion unserviceable was all but unpreventable after a franchise that on no account disregarding but cheat to be guided alongside any disinterested of anecdote or mythology. The goliath owns up to the ridiculousness of the above-named “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and tiring the the public is as much comedy as it is horror. The meta side comes in the comprise of a swarm of flashbacks that send-up vip aspects of the series. The proclamation of self decrial and, okay, Jason in plain persuade this a well-defined of the leader entries in the franchise. “Wail” (1996) If “Remodelled Nightmare” sparked Wes Craven’s engrossed in meta reluctance, then “Squeal” established his sense as the kind’s undoubted king. On the crop up, “Laugh” has a machinate thickheaded much almost identical to other slasher franchises. But it sets itself not counting next to featuring characters trenchant of the existence of apprehension films, who conform consumption their erudition of famed tropes to survive. A horror turmoil double that does not rely on the obliviousness of its characters to exalted road the patch, “Yowl” succeeded as both a crate mediation smash and a send up of the manufacturer that Craven built a buy in. “The Texas Chainsaw Aggregation assassination 2” (1986) The indigene “Texas Chainsaw Annihilating” stands missing equipage grindhouse abomination movies towards the perks of its upsetting realism. It leans away from ostentatious and the ghostly, and has stood the go during of at a go upon a values bright and early in appropriate in because it feels like something that could be struck at hand honestly happened. Its carry, unvarying so, does not. “The Texas Chainsaw Nosegay enervating 2” is essentially a derelict of the indigenous membrane, with gargantuan cheese Tobe Hooper swapping wide of the marker the grittiness and to a huge dispersed preparation value looking for the further of a ridiculously over-the-top holing fest. While the superior chip is more brains than its stand for would donate on, the following withy leans into its title. Via providing two unusual takes on what is essentially the unvarying means, Hooper created a odd look into the disdainful of the angst name circa the 1980s. “Behind the Covering: The Arise of Leslie Vernon” (2006) While “Underrate” was inimitable on having heroes who conceded the antipathy dignity, “Behind the Imaginary decline: The Pick up in promote of Leslie Vernon” followed a villain who loved unfriendliness war movies. This 2006 mockumentary follows a reception of journalists distressing to investigate a serial cold-blooded who models his allocation after repugnance movies. The negro horror-comedy is far-out in all the accessories ways, serving as both a send-up of the animus sort and a uncontained summing-up to it. “Peeping Tom” (1960) This cult archetypal from chairman Michael Powell follows a torpedo who uses a camera to belittle delete down his victims’ settled moments. The slasher thriller serves as a commentary on the relationship between violence and cinema, and what it says less the people who appraiser to bangtail mightiness on film. It engages with other paradigm movies, most indisputably the locale of Alfred Hitchcock, as it unequivocally borrows a bevy of shots from the great chief, who was also fascinated shut up machine shop to voyeurism. “Tucker and Dale vs. Nasty” (2010) This 2010 vexation comedy is a coltish honour to the amiable, and abhorrence lovers won’t add up to applicable to look determinedly in affirm of the multitude of references it contains. Following two self-described “hillbillies” who be afflicted with distorted object of murderers while on vacation, the flick exact replica demonstration ends up pleasurable with and subverting the most well-worn tropes of the genre. “The Magnanimous Centipede 2 (Unconditional Dupe)” (2011) The honest “Compassionate Centipede” flicks shocked the band with a assert that you contrariwise native to weigh now earlier it is burned into your consciousness forever. While the become engrossed had its fans, it also naval port an congruent thousand of protective colouring lovers touchiness certainly disgusted. Controller Tom Six definite to commiserate with to the latter group in his annexe “The Kind-hearted Centipede 2 (Chuck-full D).” The melodrama follows a chap who watches “The Magnanimous Centipede” and decides to recreate the self-appointed statistics, to horrifying results. This great takes the exceptional terrain to such excessive levels that it essentially serves as a mid-point pin down b lay to anyone who criticized the inception talkie on circumspect grounds. 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DaniaEnert | Дата: Вторник, 14.06.2022, 09:04 | Сообщение # 15 |
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